Tutorial: How to photograph t-shirts.

After my successful Bathroom Products Photography attempt, I was thinking of the next series of photos I could take using items found around the house. I needed a subject that would be colorful and bring lots of contrast to the photo. I decided that photographing my colorful t-shirts would give me exactly what I needed. So I went ahead and started planning how to do this to achieve a seamless white background. Coincidentally, a local business contacted me at the same time about wanting this type of commercial product photography. So I took the job to deliver 52 photos of t-shirts (front/back, male/female, six colors, four designs). Yeah, that is A LOT of shirts. Total time for the job including setup and post-production was 6 hours.

The picture above shows my setup with two light sources that was required to achieve the effect I was going for. The shoot-through umbrella was used to produce a soft light on the t-shirt, while the reflective umbrella was used to give the t-shirt harsh shadows along the outside edge. I felt that the harsh shadows would give the t-shirts a little bit of depth and help separate it from the seamless white background, which was especially important when dealing with the white t-shirts.

The backdrop was two layers of bed sheet covers purchased from Zellers at 140 and 180 thread count, respectively. The sheet covers were stretched over our old wooden dining table and then held in place with thumbtacks. I ensured that there were no wrinkles on the sheets that would introduce ugly shadows into my final photo. On hindsight, I could have used a nylon shower curtain instead which would have been easier to manage.

Strobist information:

I think this shoot was a success. In addition to the seamless white backgrounds, the client also requested magazine-style layout of 4 popular t-shirts on a 15% gray background. Except for the magazine style layouts being created in Photoshop, the rest of the images were all processed in Lightroom.

All photos Copyright by Nautinyce Clothing Inc. who commissioned this project.

Bathroom Photography. No More Excuses.

I hear hobby / amateur / wannabe-pro photographers make excuses all the time that they need to go out and shoot more to improve their skills. You do not have to leave your warm (or cool house depending on where you live) to take great photos.

Today, I was walking around the house looking at places I have not taken a photo yet. That was when the bathroom idea came to mind. The above commercial, magazine-type shot was taken right inside my bathroom by pulling some of my used products to participate in this shoot.

So the next time you are looking for ideas, go visit your bathroom first. You might be surprised with what you find in there. If you don’t see anything you like in there, bring some items from your kitchen into the bathroom. The backdrop is perfect for this kind of work.

Strobist Info:

For your reference, here is what the original photo looked like straight out of camera before I cleaned up the not-so-white areas and added marketing text. I posted this shot to show you that I did not have to do a lot of editing to the photo. Although, I will remember to remove other distractions from the background in the future like the shaving cream bottle to the left of the frame. Ooops!

Forget Your Subject. Photograph Backgrounds.

What the heck? Yes, you heard me. Forget your subject, it is not the silver bullet that makes your photos amazing. A good subject paired with a great background is what really establishes the scene and mood of your photos. Heck, the background could even be considered the key part of your story, the plot if you will.

When I am out on a photography meetup, I notice most of my meetup friends looking for a great subject to photograph. I don’t blame them and there’s nothing wrong with that approach. But when you are outside with a group of 20 photographers, you can bet that many will shoot the same interesting subject. If one photographer points at something, 5 others will point at it at some point.

However, when I am out shooting, I look for the background first. Why? Because the background fills 100% of your frame and has a greater presence in your photo. Once you found the background that is truly stunning, you can easily find something in the foreground to add a subject.

There are many times when I am out on a mission to take a great photo, I find that there is nothing interesting to photograph. That is because I am looking for a subject, not a background. And what if there is nothing in the foreground to incorporate into your photo? Well, just improvise. Use your hands or a twig on the ground. I make it a habit of bringing with me 3-inch tall action figures which I can incorporate into the scene. They are cheap, inexpensive and can be found anywhere. Sometimes, they even add a comical relief to your photos (as shown above).

So the next time you are out shooting, look for a background and add a subject later. You can even make a subject into the background by playing with a shallow depth of field (DOF) as shown above.

Question: Where is your camera?

Is it beside you, easily accessible? Is the battery charged? Is your memory card empty?

I am a photographer that loves to be ready as you never know when the moment will strike where you need your camera. It doesn’t matter what camera you pick up, as long as the moment is special, capturing it with any type of camera is better than none at all. In a related post, I talked about reaching for the nearest camera, which is the best tool you could have at the moment.

A special moment hits in split seconds. When you recognize something worth capturing, it takes only split seconds for that moment to erode. When you reach for the closest camera, turn it on and take the shot. Don’t worry about settings or exposure or even focus. It takes merely 2 seconds for the camera to boot up and fire the first shot. After that, you can look at your settings and adjust it for the situation as needed. Too many times, people worry about their settings and by the time they are done fiddling with their camera, the moment is lost. You never know when a photographic opportunity awaits you.

My favorite go-to camera is the Panasonic Lumix DMC-LX5 10.1 MP Digital Camera with 3.8x Optical Image Stabilized Zoom and 3.0-Inch LCD – In WHITE of course!. Most of my photos are taken with it because it takes no time to boot up and the photos taken by its “Intelligent Auto (iA)” mode is spot on, sharp, dynamically bright, and amazing overall.

-44*C In Edmonton Today

The overnight low in Edmonton was -35*C, but temperatures felt like -44*C wind chill factored in. That my friend is very very cold. I dropped my wife off at work and complained all the way home how cold the steering wheel and shifter was, even with gloves on. So as soon as I get home, the logical thing to do is go outside for 15 minutes in nothing but a sweater and flip flops for a portrait session with Andy? Yeah, baby! It’s cold outside and I’m a little bit insane.

Andy at Starbucks

I’ve been looking for the Android collectible action figure for a while now as an accessory/prop for my photography. Today, while at Best Buy, I saw this little thing at the checkout counter and I had to get it for only $9.99. While Amanda was at Starbucks buying me a tea, I quickly snapped this photo with my Samsung Galaxy Nexus (how fitting).

Phottix Strato II Upgrade

Disclaimer: In no way do I claim myself to be an expert in photography equipment or lighting. I don’t really know how they work technologically like an engineer, but I know which settings to modify on my camera and flash to achieve the desired results without understanding the nitty-gritty details of the technology. I’m a point and shoot kind of photographer and as long as it gives me great photos, I don’t care.

Cactus V4 versus Phottix Strato II (Introduction)

For the last three years, I have been sporting the Cactus V4 Wireless Flash Trigger sold by Gadget Infinity. When I purchased them almost 3 years ago, I really didn’t know what to look for in a wireless trigger so I picked the one recommended by the Strobist blog since, apparently, that is what people were recommending for a cheap/eBay trigger. When they arrived, I fired off a few test shots, confirmed that they worked while the strobes were sitting on my laps and called it a day never touching it again for another 3 years. Little did I, know 3 years later, when trying to use these Cactus triggers that one of the triggers has a really poor range of 2 feet. I later resolved this problem by using quality alkaline batteries instead of rechargeable NiMH batteries. Apparently, 1.2 Volts of the rechargeable versus the 1.5 Volts of a regular alkaline cell made an enormous difference in the performance of the Cactus V4 receivers. But too bad, I had already ordered a new set of wireless triggers from Phottix, known as the Strato II.

At the time, the Cactus V5 Wireless Trigger was out and featured a transceiver type design found in the higher-end wireless triggers such as the PocketWizard Plus II, but costing nearly a quarter of the price of the PocketWizards. With a transceiver design, each unit can act as both a transmitter and a receiver, hence the term transceiver. The benefit of a transceiver design is that when a unit fails while on a shoot, you could easily replace the faulty unit with any other unit. This is a big improvement from the older Cactus V4 design, which featured a separate transmitter and receiver units. Another benefit of the transceiver design was the availability of a hot shoe which could be used to attach a flash while the ‘transmitter’ was mounted on the camera hot shoe. This was my biggest gripe with the Cactus V4 because I wanted to be able to trigger remote flashes, while still keeping a flash mounted on top of my camera. The Cactus V5 solved that problem for me. However, there was one problem: The Cactus V5 did not transmit TTL information from the body to the flash if there was a transceiver mounted in between the two. For my casual event photography, this was important to me. I wanted to have 2 remote flashes pointed at the dance floor and another flash on my camera body for artificial light. While the cactus allowed me to do this, albeit in manual mode, I wanted a solution that allowed for TTL pass through while the flash was mounted atop the wireless transmitter on the body.

In comes the Phottix Strato II Multi 5-in-1 Wireless Flash Trigger to the rescue. It features wireless flash triggering with the ability to pass through TTL information if the flash is mounted on the camera. This is exactly what I needed. However, the unit is not a transceiver type design like the Cactus V5s allowing you to use any of the modules as a transmitter or receiver interchangeably. The Phottix Strato II features a separate transmitter and a separate receiver module. The disadvantage of this design is that your entire flash system has a single point of failure, your transmitter. That being said, the Phottix system is priced significantly more expensive than its Cactus counterparts. At nearly twice the price, one would expect the system to be reliable in both longevity and triggering. My decision to purchase the Phottix Strato II was based solely on the pass through TTL feature.

Phottix Strato II Multi 5-in-1 Wireless Flash Trigger (Hands-On)

The transmitter and receiver units appear to be solidly built and the plastic feels to be quite thick, relative to the feeling I get when holding the Cactus V4 triggers. The hot shoe of the transmitter is metal, while the rest receivers were given a molded plastic shoe. The Photix Strato II provides both a channel (1-4) and zone (A-D) selectors. The channel selector is useful if other photographers are using the same triggers or there are interfering equipment nearby running on the same radio frequency. The zones allows you to control which zones fire when the zones are turned on from the back of the transmitter. I also use the zones to keep track and label my receivers. Since I have four receivers, each of my receiver is in a separate zone. I use try to rotate my receivers as frequently as possible to avoid prematurely aging the components of just one receiver. The zones also allow me to setup all my strobes throughout my scene and then selectively turn off certain strobes as I try to achieve a different effect. Finally, the range is more than adequate for my needs. I was able to fire my flashes from a distance of 140-ft away, which is plenty far enough for most photographers doing local strobist work. I can understand wedding photographers needing more range to light up the dance floor in a larger venue.

Conclusion

The Phottix Strato II receivers (for my Nikon) is a great piece of technology for any photographer. I don’t personally see the need for more expensive PocketWizards as my early tests have proven that the Phottix units can fire reliably 100% of the time. If you are in search for a wireless trigger, I don’t think you can go wrong with the Phottix units, or any of the other low-end units for that matter. It is best that you understand your needs and pick the features that works best for you. For me, it was important that I had a hot shoe TTL pass through. For others, having the flexibility of a transciever design or universal use (Canon, Nikon, Pentax) might be more important for you.

Transitioning from Nexus S to Galaxy Nexus

Introduction

I picked up the Samsung Galaxy Nexus yesterday on a new 3-year contract with Bell for $169.00. You can also find them on eBay for as low as $600 today with overnight shipping from these Galaxy Nexus Smartphone sellers.

Coming from the HTC Nexus One and then the Samsung Nexus S, there are many things I love about the new Galaxy Nexus, and a few things that got me scratching my head and at times saying, “WTF?”.

This quick review is to talk about my 18-hour experience of transitioning from the Nexus S to the Galaxy Nexus and the things I’ve discovered. These are the same things you will discover when you first pick up and use the Galaxy Nexus with Ice Cream Sandwich (ICS), the Android 4.0 operating system supplied by Google for this device.

Unboxing

The packaging is a mess. Once you pull everything out of the box to get it up and running, you have a heap of cardboard and paper to deal with. But who cares, it’s a damn box. Into my closet it goes.

User Manual

Do not make me laugh out loud (aka LOL) because if you have never used a smartphone before, consider signing up for Smartphone 101 classes. There is no user manual for the Galaxy Nexus. If you head over to the Google Galaxy Nexus website, you are greeted with a “Galaxy Nexus Owner’s Guide Coming Soon” text on the main page. Again, not something I’m going to cry about, but for first-time smartphone users, this is not a good introduction into the handheld computing world. Patience or a 12-year kid is needed for training.

While waiting line at Best Buy, two elderly customers came in asking for help on basic functions for the Galaxy Nexus that is now second nature to most of us. They had to be thought that these phones allow you to ‘swipe’ and ‘press-hold’ certain areas of the screen for more functions. The Best Buy employee trained them for 1.5 hours on how to use the phone. This would be funny, if it wasn’t sad.

Form-Factor

It is very big and very thin. Photo of the Galaxy Nexus placed beside the old Nexus S.

User Interface

Now let’s cut to the chase and showcase the UI experience from a Nexus One/S owner to a Galaxy Nexus owner. Note that you can capture screenshots on the Galaxy Nexus by pressing the Power+Volume-Down button at the same time. Finally, a screen capture feature.

Lock Screen

The lock screen allows you to Swipe-Left directly into the camera, or Swipe-Right to unlock the phone. For a photographer, the Swipe-Left directly into the camera is a much appreciated feature. I do miss the swipe feature to change volume to vibrate and wish Google added a Swipe-Up and Swipe-Down feature for users to customize additional swipe functions.

Desktop

As applications are installed, they are automatically added to the desktop. Great idea, but can be annoying for some users. The desktop now supports folders and you set it up just like the iPhone, by dragging one icon onto the other. Tap on the space below the icons to give it custom name.

You can customize icons on the dock. Press-Hold an icon on the doc to get started.

Notification Pull-Down

When pulled down, swipe on the notification row to get rid of individual notifications. This is a very nice addition and still better than the iOS design on my iPad.

Notification Light

The bottom of the Galaxy Nexus features a notification light that displays when there are unread notifications. I greatly missed this feature after leaving the Nexus One and this has caused me to lose many e-mails and SMS’s that had to be sent urgently. Now I am happy again.

Task Switcher

There is a dedicated multitask button on the bottom navigation row. Again, swipe on the running task to kill that task or click on it to open it.

Widgets

Gone is the old-fashioned way of Press-Holding on the desktop to add widgets. You can find widgets in the drawer by Swiping-Left to switch to the Widgets tab on the right side of the drawer.

Quirks

Now here are some oddities with Ice Cream Sandwich that has left me scratching my head. There are (count them) THREE menu buttons to replace the ONE menu button Google took away from us. Depending on the app, the menu button can appear in any one of three locations. The menu appears as three vertical dots if a menu exists.

At the top of the application.

At the bottom of the application.

At the bottom-bottom of the application in the navigation row.

Identity Crisis

Google isn’t sure whether it wants to follow Microsoft’s Metro concept or go with the more traditional vertical scroll. So it decided to use both just to be sure.

In the Images app, the tiles scroll horizontally and are cut-off in the Metro style.

In the contacts, the tiles scroll vertically.

Minor Bug

I was unable to transfer the photos from my Nexus S to the Galaxy Nexus initially. When I copied the photos into the DCIM/Camera folder, the copy process would hang on Windows and Mac. Later, I discovered that there was a permissions problem with the folder and the fix was to delete the DCIM/Camera folder and then recreate it. After that, images transferred without issues.

Wishlist

I am still waiting for these features to show up on Android:

  • Pinch to rotate the screen so that I can set auto-rotate off and rotate the screen as desired.
  • Fix for the Auto-Brightness. The screen is too dim on auto.

Conclusion

Despite some of its trivial oversights, 98% of this phone is great and is the best smartphone I have ever owned. It is fast, it is big, and there is enough spacing between keys on the keyboard for me to type with high accuracy. I would buy this phone without hesitation.